Too bad the NYT doesn't use titles for its crosswords. At CrosSynergy, I find choosing the perfect title — either punny or obliquely ...
read moreToo bad the NYT doesn't use titles for its crosswords. At CrosSynergy, I find choosing the perfect title — either punny or obliquely hinting at the theme — one of the most fun aspects of brainstorming. Today, Bruce might have chosen "S'wonderful"? Or "Snaky Sounds"? We get an astounding 12 themers with a huge amount of interlocking. I thought there were only 10 at first, so I highlighted them below to make them stand out.

There are a ton of S* S* phrases to choose from, which I'm sure made Bruce's task easier. Might have even been the reason he picked the S* S* pattern. Most of the themers he chose were pretty decent. Others that I thought might have snazzed up the grid a bit: SOLAR SYSTEM, SHINTO SHRINE, SOUTH SUDAN, SPACE SHUTTLE ... there are so many options. But still, it's no mean feat to shove 12 themers into a 15x15 grid.
What really impressed me was the care Bruce took in filling out the grid. With such high density, I would expect to see many more gluey bits than just ENOW and PCT. In Bruce's recent puzzles, especially his "stunt" ones, I haven't cared for the trade-offs of more glue enabling more "stunt," so it was a pleasure to see how clean this one was. I especially appreciate that out of a Monday puzzle.
I totally understand the need to use variety in cluing, but I would have liked a double-dose of classical in RAVEL and LISZT. To get a tangly [Get tangled up] clue for RAVEL made it feel to me like a perfectly good entry got gluified. But I loved the clue for LOLA. Hearing "I'm not the world's most physical guy, / But when she squeezed me tight she nearly broke my spine" makes it difficult not to want to rock out.
Not the most mind-blowing theme, but the ultra-high theme density executed pretty cleanly was nice to see.