In writing, there's an elusive quality all the greats have, termed "voice." It's so tough to figure out what that term really means, ...
read moreIn writing, there's an elusive quality all the greats have, termed "voice." It's so tough to figure out what that term really means, because when you ask publishers, editors, agents, critics, they say they can't describe it, but they know it when they read it. Frustrating!
When it comes to "voice" in crosswords, I ask the question: can I figure out who wrote the puzzle? Probably 99% of the time, I'd be taking wild guesses way off the mark. But I bet more often than not, I'd be able to pick out Patrick Berry's work out of a line-up. Today's is no exception. Exceedingly smooth fill. A lower-word count grid than mere mortals can successfully achieve. Not a lot of Scrabbly letters, but more than made up for with wickedly clever cluing (exhibit A, B, C: INDENT, MOOED, ALKALI). More "neutral" long entries than on an average themeless (EMBARGOES, OCEANSIDE, THREEFOLD), but each one turned into a positive via a really well-written clue. Quintessential Berry.

A small suggestion: I might have "flipped" this grid, along a diagonal from the NW to SE (see left). Normally this isn't a great or even viable option, in that solvers tend to like to enter their long answers from left to right, not from top to bottom. There's something about human vision that makes it much easier to see answers in one's mind if they're oriented horizontally, not vertically. But Patrick has so much good long fill in both directions, I think it would have worked fine to flip the grid. The big bonus for me is that the one weak link in my opinion, DEMOB, gets buried in the middle of the puzzle, hardly noticeable in comparison to its currently featured position at the top of the grid.
A friend once told me that it's not uncommon for new writers to spend a few years copying other writers' voices, either consciously or (more commonly) subconsciously, before developing their own unique voice. I'm personally still developing my themeless construction skills, and I'm not ashamed to say that copying Patrick (or attempting to, anyway) is helping me to develop my own themeless voice.