Working with Mary Lou is a pleasure. She exemplifies one quality I think all good constructors must have: the ability to generate and ...
read moreWorking with Mary Lou is a pleasure. She exemplifies one quality I think all good constructors must have: the ability to generate and sort through a ton of ideas. I find it takes maybe 10-20 ideas to discover one worthy of publication. Many times a person will give up after two or three theme ideas, but not her — I admire her determination and drive. When people talk about hard work leading to success, that's ML they're talking about.
As for this puzzle, I honestly was only lukewarm on the general idea at first. But when ML found five strong themers that worked, I thought twice. I'm a sucker for Muhammad Ali — "When We Were Kings," a documentary about the Rumble in the Jungle, cracked my vaunted Tier 2 list of favorite movies. (I only have 28 movies listed in my Top Tier; the most recent addition was "The Fighter.") The final hook was when she pointed out the challenge of executing this grid in a way that was both smooth and fun for solvers. I'm also a sucker for a challenge.
Five 15-letter themers is so rough. Four of them is hard enough because there's so many areas that get constrained, and five adds a real kick in the pants (not the good kind). There are so few places that aren't affected by two (or more) themers. The NE and SW were especially painful — there are five parallel answers from STATS to LEE which run through the same two themers; usually a situation you want to avoid like the plague. I don't much care for A TUNE and the visual of those lone cheater squares in the corners, but all the alternatives seemed worse. Grid-making is often an exercise in iteration, trying to sort through hundreds of possibilities in an attempt to figure out what would be most interesting / least grump-inducing for solvers.
It took us a lot of iterating, plus helpful feedback from Will, in order to get it to a place where we felt like it would be a fun experience for solvers. I wish we could have worked in some long fill besides ASHANTI, OH THAT? and IN ON IT, but every arrangement incorporating 8+ letter entries caused too much stress on the grid. As always, construction is rife with trade-offs.